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COMICS AND MEDICINE: Medical Narrative in Graphic Novels
17 June 2010
Institute of English Studies,
School of Advanced Study, University of London
Confirmed keynote lectures by Paul Gravett, Brian Fies and
Marc Zaffran |
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supported by:

This one-day interdisciplinary conference aims to explore medical narrative in graphic novels and comics. Although the first comic book was invented in 1837 the long-format graphic narrative has only become a distinct and unique body of literary work relatively recently. Thanks in part to the growing Medical Humanities movement, many medical schools now encourage the reading of literature and the study of art to gain insights into the human condition. A serious content for comics is not new but representation of illness in graphic novels is an increasing trend. The melding of text and visuals in graphic fiction and non-fiction has much to offer medical professionals, students and, indeed, patients. Among the growing number of graphic novels, a sub-genre exploring the patients' and the carers' experiences of illness or disability has emerged.
Presentations will examine the development and trends evident in medically themed graphic fiction and manga, the relative strengths of the medium and the motivation behind its creation, whether by healthcare professionals, service users or carers. The use of 'comics' in medical and public education, and their role in health communication and scholarship will also be discussed.
The conference will be of interest to humanities scholars, comics scholars, healthcare professionals, comics enthusiasts, writers and cartoonists. The day will finish with an evening panel discussion lead by Paul Gravett, who will be talking to graphic novelists Darryl Cunningham , Philippa Perry and Brian Fies, followed by a wine reception, sponsored by the Wellcome Trust, with opportunity for informal discussion and socialising.
Poster presentations will also be made, and there will be opportunities for book signing.
Registration (including lunch and wine reception):
£35 Standard
£25 IES Members/Unwaged/Students/Speakers |
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PROVISIONAL PROGRAMME:
| 9.00am |
Registration: 2nd Floor, Stewart House, 32 Russell Square |
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| 9.30 |
Welcome and opening remarks - Ian Williams |
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| 9.45 |
Keynote Lecture 1: |
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Paul Gravett, 'Bodyworlds: Evolving Forms of Medical Graphic Narratives'
Chair: Ian Williams |
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| 10.30 |
Coffee |
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| 10.45-12.00 |
Parallel Sessions: |
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Session 1: Comics and Mental Illness
Chair: Maria Vaccarella |
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Sarah Lightman, 'Making it Bearable, Making it Beautiful: Wounding and Healing in Bobby Baker's Diary Drawings'
Lucía Miranda Morla, 'Overcoming Panic Disorder: Lourenço Mutarelli's graphic novels'
Columba Quigley, 'Drawing, Depression, and Black Dogs' |
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Session 2: Comics in Medical and Patient Education |
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Chair:Ian Williams |
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Michael Green, 'A Comics Course for Medical Students: Rationale, Logistics, and Outcomes' |
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Linda Raphael, 'Autobiographical Comic Books: Why Choose Them Over Personal Illness Narratives for a Medical School Course?' |
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Stella Williams and Paula Nunes, 'Caribbean Medical Students Learn Communication through Cartoons' |
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| 12.15 |
Keynote Lecture 2: |
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Marc Zaffran, 'Drawing Pains: The Comic Book Art of Charles Masson and Thom Ferrier'
Chair: Giskin Day
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| 1.00pm |
Lunch (for all delegates) |
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| 2.00 |
Keynote lecture 3: |
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Brian Fies, 'Mom's Cancer: A Family's Experience in Comics'
Chair: Susan Squier |
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| 2.50 |
Session 3: Comics and Cancer |
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Chair: Michael Green |
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Suleyman Fattah, 'Drawing the Line: Cause and Effect' |
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| 3.15 |
Coffee |
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| 3.30 |
Parallel Sessions: |
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Session 4: Medical Manga |
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Chair: Bob Tanner |
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Fatimah Mohamied, 'Utilising Manga' |
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Ada Palmer, 'Sacred Biomedicine and Doctors of the Soul in the Works of Osamu Tezuka' |
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Maria Vaccarella, 'The Role of Comics in Teenage Patient Education: the Case of a German Manga on Epilepsy' |
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Session 5: Comics and Care / Critical Perspectives on Medical Comics |
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Chair: Columba Quigley |
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MK Czerwiec, 'Graphic Narrative Medicine: Could Making Comics Help Caregivers?' |
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Paul Dakin, 'The Emergence of Echo - the Rise of the Deaf Comic Book Hero' |
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Niki Kiepek, 'Cartooning to Facilitate Critical Discourse in Health Care' |
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| 4.45 |
Break |
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| 5.00 |
Panel discussion with graphic authors Darryl Cunningham, Brian Fies and Philippa Perry |
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Chair: Paul Gravett |
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| 6.00 |
Plenary discussion |
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Chair: Michael Green |
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| 6.30pm |
Wine reception |
PAUL GRAVETT is a London-based freelance journalist, curator, lecturer, writer and broadcaster, who has worked in comics publishing and promotion since 1981. He has curated numerous exhibitions of comic art in Britain and in Europe and since 2003 has been the director of Comica , London's International Comics Festival at the Institute of Contemporary Arts. Paul is the co-author, with Peter Stanbury, of the books Manga: 60 Years Of Japanese Comics (2004), Graphic Novels: Stories To Change Your Life (2005), Great British Comics: Celebrating A Century Of Ripping Yarns & Wizard Wheezes (2006), The Leather Nun & Other Incredibly Strange Comics (2008) and he is the editor of The Mammoth Book Of Best Crime Comics (2008). On television he has been a consultant and interview subject on The South Bank Show's programme Manga Mania (2006) and BBC4's documentary series Comics Britannia (2007). Also, he appeared as interview subject in the DVD documentary The Mindscape Of Alan Moore (2007). He continues to write about comics for various periodicals.
BRIAN FIES is a graphic novelist from San Francisco who won a prestigious Eisner Award for best digital comic in 2005 after publishing Mom's Cancer on the internet. The tale of his mothers battle with metastatic lung cancer, the story described how a serious illness affects the patient and family, both practically and emotionally. Many readers wrote to tell Fies how suprised and relieved they were to learn that they were not alone. In early 2006, publisher Harry N Abrams released a hardcover edition of Mom's Cancer, to widespread critical acclaim. His latest book, Whatever Happened to the World of Tomorrow? , is a unique graphic novel that tells the story of a young boy and his relationship with his father. Interspersed with the comic book adventures of Commander Cap Crater (created by Fies to mirror the styles of the comics and the time periods he is depicting), and mixing art and historical photographs, this groundbreaking graphic novel is a lively trip through a half century of technological evolution. It is also a perceptive look at the changing moods of a nation and the enduring promise of the future.
MARC ZAFFRAN, M.D. is a French-born Family Physician and a writer (under the pen name Martin WInckler). He is currently a researcher at the University of Montreal. He has written forty books including novels and essays on patient doctor relationship, the ethics of healthcare and the reprentation of Doctors in mass-media fiction including pulp novels, television drama and comic-books. He is currently studying the works of a French doctor and comic-book artist, Charles Masson.
Organising Committee:
Chair: Ian Williams MA MB BCh MRCGP DA General Practitioner, trainer in general practice Wrexham Medical Institute of Postgraduate Studies. Editor of graphicmedicine.org
Columba Quigley, MD FRCP, MA graduate in Literature and Medicine, Kings College, London
Maria Vaccarella, Ph.D. MA. Marie Curie Research Fellow, Centre for Humanities in Health, Kings College, London
Giskin Day, MSc, MA Course Director: Medical Humanities and lecturer in Science Communication Imperial College, London
Bob Tanner, MB BCh MRCGP. General Practitioner, Director of General Practice Vocational Training, Wrexham Medical Institute of Postgraduate Studies.
Michael Green, MD, MS, FACP, Course Director Professor of Humanities and Medicine, Penn State Medical School, Hershey, PA
Kimberly R. Myers, Ph.D., M.A. Associate Professor of Humanities and English, Penn State University. Hershey, PA
Susan M. Squier, Ph.D. Brill Professor of Women's Studies and English, Penn State University. Hershey, PA
The School of Advanced Study is part of the central University of London. The School takes its responsibility to visitors with special needs very seriously and will endeavour to make reasonable adjustments to its facilities in order to accommodate the needs of such visitors. If you have a particular requirement, please feel free to discuss it confidentially with the organiser in advance of the event taking place.
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